Теория мультивселенной, с бесконечными вариантами развития событий, как попытка понять человеческие отношения, наши шансы: на жизнь, на любовь, на возможность быть вместе.
10000 ₸1 pcs.
Премьера! Солярис
Долгожданная премьера Малой сцены – Солярис. Спектакль со свободной рассадкой повествует историю глубины Вселенной и человеческих чувств.
10000 ₸1 pcs.
Бешеный бык
Сценический ремейк кинофильма "Бешеный бык" М. Скорсезе. Жизненная история олимпийского спортсмена с гранитной челюстью. Страсть, любовь, дружба, идеалы, обиды и комплексы – все становится неважным, когда Айдын выходит на РИНГ.
7000 ₸1 pcs.
HAPPY NEW ПЕСЕННИК
Специально к новому году мы делаем долгожданные праздничные показы Песенника, которые станут лучшим подарком - событием, которое сохраниться в памяти на всю жизнь. Песенник это большая алматинская семья, где табуретка за столом найдется для каждого!
Some performances are too modern, and some are just a bomb! I like to enjoy a familiar performance and be shocked by the director's innovation. Cozy, professional, bright! Delicious coffee in the lobby.
A great theater in the heart of the capital of the WORLD. The repertoire is interesting. I was at the Musketeers performance and was delighted!! thank you!
This is undoubtedly a theater, but not an academic, classical, but a modern studio theater, at some time they were called experimental.
I visited a production about Viktor Tsoi, Almaty residents, as I noticed, want to associate themselves with him, or Tsoi with Almaty, "there must be" a certain popular symbol, a Hero!
The production is just dedicated to the feelings of the boy and the townspeople from the concert of Tsoi, plus the line of the author-performer from the local rock crowd.
Non-academism also lies in the seating of the audience, on the steps, as in the Greek arena, on the action taking place at arm's length, you can clearly feel the emotions of the artists, "touch" them, in the end there is a screen with video sequences, and the action takes place on an improvised "podium" between the audience!
It's nice that "acting The cadres" are not only Russians, but also Kazakhs.
If you are ready to accept such a presentation of theatrical art, not classicism, if you are curious about Tsoi's work, you are interested in how the country lived in the 90s-you are invited to this production.
Let there be different stage actions and everyone will choose for themselves!
Good luck and success to the guys!(the hall, by the way, was full)!